Ateş Taç

$29.99 USD

Launching Soon!

A wide fan silhouette with a scalloped upper edge, symmetrical curved teardrop arms, dotted berry clusters and a central ogival form, drawn from the imperial plume traditions of the Ottoman court.

DIMENSION 55mm x 52mm
Personal use only — Studio Licence required to sell commercially.
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All sizes listed are approximate and given in millimetres. Minor variation is normal and part of the handcrafted nature of 3D printed cutters.

Clay thickness and slab preparation will vary depending on the design. As a general starting point, I work at approximately 3mm for most of my designs. More intricate, high-detail work may benefit from a thinner slab. Condition your clay thoroughly and press firmly and evenly for the cleanest result.

For my full technique guide including pasta machine settings, clay brands, and tips by design type, visit the Clay Guidelines page.

Rinse your cutter with warm water after use and allow to air dry completely before storing. Avoid acetone, harsh solvents, or prolonged heat exposure as these can affect the material over time. Store flat or upright in a dry place away from direct sunlight.

About This Design

Where tradition meets the studio

Ateş means fire, Taç means crown. This hatayi polymer clay cutter spreads across a wide fan silhouette with a scalloped upper edge, the interior built from a central ogival form flanked by symmetrical curved teardrop arms and dotted berry clusters filling every space between. The composition radiates outward with the authority of Ottoman court decoration at its most confident, a design that earns its scale.

The fan spread with symmetrical hatayi arms and berry clusters is one of the defining compositions of Ottoman illumination, appearing across the borders of imperial firmans, the panels of Topkapi Palace tilework and the woven fields of ceremonial kaftans from the 16th century onward.

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